The problem with Kindle books is that there are so many that an unknown author is so far down the rankings the books do not come up in searches. If people were finding them, having a look and were not interested that is one thing but not even knowingabout them is another.
So you are here. Below are comments from an evaluation of my two books from a third party who didn't know me from Adam. They might be OTT but why not try the link if they tweak your interest. (By the way 'Tommy Trouble' was a working title and is now 'Trouble Cross'".
"I have now had the opportunity of reading Rewind and Tommy Trouble
both of which are highly impressive. They are as good examples of their
type as I have read for some considerable time.
I have to
confess, that I was so impressed with Rewind that I actually read it
twice; once from an analytical, professional point of view, and once purely for
my own personal pleasure. Quite simply, it is an excellent novel on every level
and one which should appeal to adult readers from a variety of backgrounds and
cultures, being particularly resonant with the late 30 and early 40 somethings,
who will be able to identify with your narrator and protagonist, Jason, to a
high degree. Here we have all the finest ingredients of a captivating novel
skillfully blended together with a careful and expert hand, flavoursome
throughout, and I was delighted that there was an additional kick of spice right
at the very end, when I, as a reader, really thought there could be no more
surprises.
In fact,
the novel is positively packed with twists, turns and surprises and is totally
unpredictable. For example, both the poem, 'Why?' and the Prologue, narrated in
the third person, paint an incredibly sorrowful, melancholic scene and we think
we are in store for a real tale of woe (albeit one which, as we can already see,
will be well told) yet this is far from being the case at all. After the
appearance of the Wizard God in Chapter 1, when Jason suddenly finds himself
lying in his childhood bunk bed, there is, in fact, a substantial amount of wit,
dry humour and real laugh out loud moments in the book. You do retain the
serious nature essential to the plot, yet succeed in doing so without ever
making the pace slow, the tone dull or the mood overly sombre.
As a
writer, you are a natural talent, without doubt, and no diamond in the rough at
that; your skills have been honed and polished and, partly because of this and
partly because of the utterly mesmerising plot you have crafted, the book is an
absolute joy to read. You subtly change the nature of your style so that it
meshes perfectly with the content. For example, in the opening, you utilise
short, staccato sentences and paragraphs to add suspense so that the whole
section reads like an ominously ticking clock, whereas later in the story, when
the young Jason, with his adult mind, begins to have a little fun with the life
that had formerly disappointed him so much, your method of writing is much more
musing and relaxed and, again, often humorous.
In
essence, this is every adult's fantasy, and this is why I foresee it having wide
appeal. Though few of us have reached a point at which we become so
disillusioned we decide to end our life forty years to the day after it began,
we all wish we had done things differently and, as Jason is given this gift of
retaining the knowledge with which his adult life has furnished him, whilst,
essentially, beginning it again, the reader is vicariously able to travel with
him on this fantastical journey where anything can, and indeed does,
happen.
Personally, I found your use of
dialogue to be amongst the strongest literary tools you have employed and one
which has certainly been wielded to good effect. There is a large proportion of
dialogue in the work and though, when acting as a consultant providing advice to
aspiring audiences, this is something I would not advise, you have made it work
and, I have to say, I am not quite sure how! Maybe it is because of the realism
and credibility it lends to the characters and their predicament, or maybe it is
because much of it rings so true; but, whatever the reason, the conversations
between characters are a great asset to the work as a whole and introduce an
additional element of drama.
It is
mainly for the reasons outlined above, as well as others - such as the
edge-of-seat suspense with which the novel is imbued, the vivid characterisation
and the sheer innovation and originality of the narrative, that I feel this work
is one which would lend itself beautifully to a visual medium, with a film or TV
script being, in a way, already half crafted. As the British film industry grows
in terms of quality and demand, it is certainly not something which I would rule
out.
What is,
perhaps, most impressive about the book is that you succeed in drawing all the
different strands of the plot together in what is a conclusion which the reader
will find both hard to predict yet easy to believe. This is no mean feat when
there are so many different narrative elements to the book and you leave no
important questions unanswered nor any issues which may have been difficult to
resolve hanging. You do, however, leave the reader with a positive feast in the
way of food for thought and this is something which few writers have the ability
to do, thus ensuring that the book is not only an entertaining one, but also,
vitally, very memorable.
Tommy
Trouble is every bit
as an enjoyable read as Rewind, though it may lack the sheer force, the
number of times I found myself laughing at your extremely witty dialogue does,
in itself, make this a perfect candidate for publication. It is notoriously
difficult to write novels which are really amusing, and not simply trying to be
and the way you channel the great comedy authors, like Tom Sharpe and Kingsley
Amis, is much to be admired.
The
narrative is different, (which is great and shows you are no one trick pony) and
whereas Rewind has a subtle sub-text and deeper meaning, Tommy
Trouble concentrates chiefly on a rip-roaring plot, explosive amounts of
action and quite often, utterly hilarious dialogue.
There are
a lot of characters who play important parts, be they major or minor and Jenny,
Jane, Peter, Cox, Chalky, Vicky and Clarence all play very specific roles. I am
honestly amazed at how well crafted each of the characters are, how well they
stand out, how three dimensional they are, and how you develop the personality
of each one to fit their role in the novel perfectly. The characters, then,
contribute as much to the novel as the plot itself.
And what a
plot it is! It rather reminds me, in a very positive way, of a comedic James
Bond novel with a twist. Thomas, from working at the offices of Pratt, Pratt,
Wally and Pratt (which made me chuckle in itself) goes from being a somewhat
ordinary character to one who performs extraordinary deeds, and, as we witness
the plot unfold, his character burgeons and takes on fascinating and, again,
amusing new attributes.
The book
is a light read, stresses the importance of entertaining fiction better than
anything I have read lately, and should appeal to a male reading audience of a
wide range in terms of age and background; definitely a book with which I would
part money to own."
There you have it then. I don't entirely believe it myself but let's see.
